Work with the creator to understand the core, "inexplicable atmosphere" of the original work.
If a pillar is made of concrete, let it look like concrete. Do not paint it to look like marble. If we use oak, let the grain, knots, and imperfections show. There is a profound dignity in raw, honest materials that human hands cannot replicate synthetically. The Choreography of Light
Light is my primary building material. Architectural lighting shouldn't just illuminate a room; it should guide the eye and create shadow. Shadows are just as important as light—they give a room depth, mystery, and a sense of calm. Emotional Durability rie tachikawa interview full
One of the biggest challenges for the film was translating the internal experience of music into visual animation. Tachikawa opted for a mix of 3D motion capture and hand-drawn animation to achieve this.
Walk us through your creative process. When a new brief lands on your desk, what happens first? Work with the creator to understand the core,
: Beyond her primary filmography, she has been featured in gravure modeling and maintains a presence on platforms like Key Themes for Discussion
気持ちいいことが好きなですはい最近しました最近いつ2週間ぐらいさすが大勢ですねすごい真面目に考えちゃっ。 Interview: DECA-DENCE Director Yuzuru Tachikawa - Mipon If we use oak, let the grain, knots, and imperfections show
Yuzuru Tachikawa is a visionary anime director known for bringing intense, often kinetic energy to the screen, whether it’s the psychic battles of Mob Psycho 100 or the high-stakes suspense of Terror in Resonance . In his recent work on the acclaimed jazz anime film (2023–2024), Tachikawa pivoted to a more intimate yet equally visceral form of storytelling.
When I look at a room, I ask myself: How will someone's heart rate change when they step inside? To achieve that resonance, I rely on three non-negotiable pillars: Honesty of Materials