These films are categorized as and contain highly disturbing content: The Human Centipede Movie Review | Common Sense Media
If you're interested in the broader franchise, I can tell you about:
Released in 2009, The Human Centipede (First Sequence) shocked the global film community. Dutch filmmaker Tom Six directed this body-horror film, which quickly became a defining cultural touchstone of the late 2000s and early 2010s. The film follows a deranged German surgeon, Dr. Josef Heiter, who kidnaps three tourists. He surgically connects them mouth-to-anus to create a shared gastric system, forming a "human centipede." the+human+centipede
The plot of The Human Centipede (First Sequence) is deceptively simple, which is precisely why it works. Two American tourists, Lindsay and Jenny (Ashley C. Williams and Ashlynn Yennie), are stranded in a remote German forest after a tire blowout. Seeking shelter, they knock on the door of the infamous Dr. Josef Heiter (Dieter Laser).
The true brilliance (or infamy) of the film isn't in what it shows, but in what it makes you imagine. For a movie with such a repulsive reputation, it is surprisingly bloodless. Tom Six relies on the concept to do the heavy lifting. Once the surgery is explained via Heiter’s whiteboard sketches, the audience’s brain fills in the agonizing reality of the victims' existence. Legacy of the Grotesque These films are categorized as and contain highly
He views himself as a god-like figure, creating a new, "perfect" creature.
Tom Six embraced the notoriety. The sequel, The Human Centipede II (Full Sequence) (2011), is a deliberate middle finger to the critics. It is shot in grainy black-and-white and follows a mentally disabled, obese parking garage attendant who watches the first film and tries to replicate it with 12 people. Josef Heiter, who kidnaps three tourists
While critics remain deeply divided over its artistic merit—some dismissing it as worthless exploitation and others praising its dark humor and minimalist tension—its influence is undeniable. It proved that in the digital age, a singular, intensely disturbing idea could break through the noise of Hollywood blockbusters, leaving an indelible scar on the collective pop culture consciousness.