Here is an informative breakdown of the album, the artist, and the context surrounding this release.

Elias took a drink. The FLAC format was unforgiving. He could hear the room sound. He could hear the air around the instruments. It sounded like she was sitting on the edge of the coffee table, playing just for him.

Download a free, high-quality audio player.

The album's 11 tracks are a masterclass in literate, emotionally devastating songwriting. The Asking for Flowers tracklist is as follows:

Elsewhere, Edwards showcases her dry humor on "I Make the Dough, You Get the Glory" ("You're cool and cred like Fogerty / I'm Elvis Presley in the Seventies"), and her righteous anger on "Oh Canada," a blistering critique of social injustice in her homeland.

| # | Title | Duration | |---|-------|----------| | 1 | "Buffalo" | 5:16 | | 2 | "The Cheapest Key" | 2:42 | | 3 | "Asking for Flowers" | 5:02 | | 4 | "Alicia Ross" | 5:06 | | 5 | "I Make the Dough, You Get the Glory" | 4:37 | | 6 | "Oil Man's War" | 4:01 | | 7 | "Sure as Shit" | — | | 8 | "Run" | — | | 9 | "Oh Canada" | — | | 10 | "Scared at Night" | — | | 11 | "Goodnight, California" | 6:30 |

When you find a FLAC release of this album, verify these markers:

For anyone looking to experience Canadian roots rock at its absolute peak, queuing up is an essential sonic journey. It is an album that demands your full attention, rewarding listeners with new instrumental layers and emotional nuances with every spin.

The album was co-produced by Edwards and (known for his work with Tom Petty and Whiskeytown), and the production is immaculate. It captures a "perfect nightscape," aided by an incredible roster of studio veterans including: