Kodak Vision2 500T 5218 negative stock and Kodak 2395 print stock combination is a classic cinematic look known for its fine grain and rich shadow detail. While exact 5218/2395 specific LUT pairs are often part of paid professional packages, you can find high-quality free alternatives and "PowerGrades" that emulate these film stocks. Cinematography Mailing List Free LUT & PowerGrade Downloads Juan Melara Print Film Emulations
Before downloading external files, check your DaVinci Resolve installation. DaVinci Resolve includes free, industry-standard film look LUTs developed directly from Cineon scans. Look in your LUT library under the folder. While they frequently feature Kodak 2383, variations of the Vision2 profiles are often included or easily simulated through Resolve's built-in Film Look Creator tool (version 19 and later). 2. Juan Melara (Film Print Emulation Packs)
What are you using (DaVinci Resolve, Premiere Pro, Final Cut)? What camera model or log profile was your footage shot on?
Search the LGG forum for "Light Illusion Cineon LUTs" – a user named "Coulisse" often re-uploads them. kodak 5218 kodak 2395 lut download
The combination of Kodak Vision2 500T 5218 color negative film and Kodak Vision Color Print Film 2395 represents the pinnacle of late 1990s and 2000s cinema. This specific pairing defined the aesthetic of blockbuster movies before the industry completely transitioned to digital sensors. By utilizing a Kodak 5218 to Kodak 2395 Look-Up Table (LUT), digital filmmakers can accurately replicate this iconic chemical process in modern color grading suites like DaVinci Resolve, Premiere Pro, and Final Cut Pro.
If you want to move beyond simple 3D CUBE LUTs, plugins like and FilmConvert Nitrate feature exact internal profiles for Kodak Vision2 stocks and various print media. These plugins allow you to customize the halation, bloom, and film grain specific to the 5218/2395 chemistry, providing a much more organic result than a standalone LUT file. Tips for Perfecting the 2000s Cinematic Look
Applying a LUT (Look-Up Table) that simulates the 5218-to-2395 pipeline transforms flat, digital footage (such as ARRI LogC, RED IPP2, or Sony S-Log3) into a finished cinematic product. Kodak Vision2 500T 5218 negative stock and Kodak
and the high-contrast drama of the 2395 print stock, you can achieve a truly cinematic image, bringing a professional, nostalgic feel to your projects in seconds.
allows digital footage to emulate this exact photochemical process, bringing the "Hollywood" look to modern cameras. What is the Kodak 5218 and 2395 Combination?
It provides deep, rich blacks and a punchy, vibrant image. It was often used for films that required a stylized, "cinematic" look rather than a strictly naturalistic one. 3. The Combined Look Go to product viewer dialog for this item. If you can't find it
It is the most widely used, correctly built, and free. If you can't find it, search his name + "Patreon" where he has a $5 tier that includes all his film LUTs.
of a stop under (when shooting digital) can help prevent highlights from looking too "digital" when the contrasty 2395 LUT is applied.