Typical of D'Amato's late-90s work, the film prioritizes explicit scenes over complex narrative, though it is noted for using scenic locations in Morocco. Sahara (Video 1998)
(1998) is an exotic adult drama often marketed under the title .
The narrative of Sahara departs from the aesthetic of its predecessor. The story tracks two Western businessmen who travel to Morocco with the intention of acquiring a local leather manufacturing company. Sahara (Video 1998) - IMDb Joe D-Amato - Queen Of Elephants 2- Sahara -19...
Critical Review: Joe D’Amato’s Commonly known by its alternate title, Queen of Elephants Part 2: Sahara
The film steps away from the wild, Tarzan-esque jungle rescue tropes of the 1997 film and pivots into a corporate, sun-baked melodrama. Typical of D'Amato's late-90s work, the film prioritizes
Joe D’Amato (born Aristide Massaccesi) is one of cinema’s most protean figures: prolific, controversial, and endlessly adaptable. Best known for low-budget genre work across horror, erotic thriller, and exploitation cinema, D’Amato developed both a recognizable visual shorthand and an instinct for maximizing shock, atmosphere, and marketability on tiny budgets. “Queen of Elephants 2: Sahara -19...” reads like a title scraped from the wildest corners of exploitation distribution catalogs—one of those intriguing, half-mythical entries that invite curiosity: is it a lost sequel, a miscataloged rarity, or an evocative pastiche that channels D’Amato’s obsessions?
The story follows two wealthy businessmen who travel to to purchase a leather company. During their trip, they are introduced to various exotic experiences and sexual encounters, including interactions with their secretaries and local residents. Background & Context The story tracks two Western businessmen who travel
—represents a distinctive entry in the late-career filmography of prolific Italian filmmaker Joe D’Amato
One of his most curious late-career series was Queen of Elephants – a loose trilogy or set of standalone films exploiting the perennial male fantasy of powerful, sensual "queens" ruling over remote, unforgiving landscapes. The second chapter, often listed as Queen of Elephants 2: Sahara (original Italian title likely La regina degli elefanti 2 – Sahara , c. 1998–1999), is a prime example of D'Amato's ability to blend softcore sensuality, pseudo-ethnographic adventure, and pure cinematic escapism on a minuscule budget.